Description

That year he produced prints in which the quality of the colour prevailed over the form, which he simplified and primitivised, although without renouncing the necessary definition. In this engraving the master plays with the two sides of the face, but not in the cubist style, that is, juxtaposing the front view and the profile of the image, but, as if it were a bullring, he uses the sun and the tone of the face, accentuating the different expression of each eye.